Hell On High Heels

#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------#

As recorded by Pretty Maids

(From the 1999 Album ANYTHING WORTH DOING IS WORTH OVERDOING)

Transcribed by Sergio Miguélez(elmomias@hotmail.com)

Words and Music by Ronnie Atkins & Ken Hammer

x x 0 2 3 x

x 0 2 2 x x

x 2 4 4 x x

3 5 5 x x x

D5(type 2)

x 5 7 x x x

x 4 7 x x x

B5(type 2)

x 2 4 x x x

G5(type 2)

3 5 x x x x

x 2 4 4 3 x

3 x 0 0 0 x

x 0 2 2 2 x

Gtr I (E A D G B E) - 'piano'

Gtr II (E A D G B E) - 'dist'

Gtr III (E A D G B E) - 'dist'

Gtr IV (E A D G B E) - 'dist'

Gtr V (E A D G B E) - 'clean'

Intro

Moderate Rock Q=125

4/4

Gtr II

W W

Gtr I

W H.. E

|

/

/ / / /

+H.. E +W

/ / /

+H.. E +W

Intro solo

Gtrs I, II

~~~

E E E E E E E E Q. Q. Q

|-3---3---2h3-5---||o-----------------17---|

|-----------------||o----------------------|

|

| Gtr III

| PM|

|-----------------||o----------------------|

|-5---------------||o--5-------5--5-5--5-4-|

1.

~~~ ~~~

Q. Q. Q Q. Q. Q

|

| PM| PM|

2.

~~~ ~~~

Q +E Q. Q Q. Q. E E

|--------------------------o||--17b19---17---------15-------|

|--------------------------o||------------------------------|

|

| PM|

| +Q. E E E E E Q. S S E E E E

|--------------------------o||-------------------------3----|

|-(5)----------5-------5-5-o||---2-------x--x-/5-4--2-------|

Verse

+H. +Q W

|-(17)------(17)\--||-----------------|

|------------------||o----------------|

|------------------||o----------------|

|

| Gtr V

| +W Q. H +E

|--(3)-------------||o-2----3----(3)--|

|------------------||o-0----2----(2)--|

1.

Gtr V

Q. H +E Q. H E +Q E E E E E E

|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||

|------0----(0)-|-0----2------|------------------o||

2.

$

Gtr II

Q. H E +W Q. Q +Q E E E E E Q E S S

|-2----3----3-|-(3)--------||o-----------------|------------------|

|-2----4----0-|-(0)--------||--4----7--(7)\----|---2-2-0-0----x-x-|

|-0----2------|------------||o-2----5--(5)\----|---0-0--------x-x-|

1. 2.

Q. H E E E Q E E Q Q. Q. E E +H. E E

|-------------|---------------o||---------------|---------------|

|-2----0------|---2-2---------o||-2----0----4-5-|-(5)------4-5--|

Chorus

PM| PM PM| PM

+H.. E +Q E E E E E E +Q E E E E E E +Q E S S E E E E

|--------------||o------------------|------------------|--------------------|

|-(5)--------5-||o-(5)--5-5-5-5-5-4-|-(4)--4-4-4-4-4-2-|-(2)--2-x-x-5s4-2---|

1. 2.

To Coda

Gtr V

+H.. E W +W Q. H +E

|--------------o||----------|------------||o-2----3----(3)--|

|------------5-o||----------|------------||o-0----2----(2)--|

+W

1.

Q. H +E Q. H E +Q E E E E E E

|-0----2----(2)-|-2----3----0-|-(0)--3---2---3---o||

|------0----(0)-|-0----2------|------------------o||

Bridge

2.

D.S. al Coda &

Gtr II

PM--------|

Q. H E +W H.. E +Q E E E E E E

PM------------------------------------------------------------------|

Gtr II

W W H.. E

|

| Gtr III

| PM------------------------|

Guitar Solo

D5(typeD2) D5(A/C# 2) C# A/C# B5(type

Gtr III

/ / o / / / / / o / / /

Gtr II

~~ ~~~~~~~~ ~~~

Q. E E E E E +Q. S S E E E E

/ / o / / / / / o o / /

~~~~~~ ~~~~~~~~~

+Q. S S E E a E E +Q. S S E E E E

D5(type 2) D D5(A/C# 2) C# A/CB5(type

/ / o / / / / / o / / /

~~~ ~~ ~~ ~~

Q E Q E Q E Q E E E E E

|

| Gtr IV

| W W

/ / o / / / /

~~~~~~

|--3--|

E S S Q +E S S E E +Q E E E H

|

| W H.. S S

Gtr IV

W W

/ /

Gtr II

~~~~

H.. S S E E E E E E E E

|

| Gtr III

Interlude

Gtr V

Q. H E +W Q. H E

/ / / / / / /

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

W +W +W

|

| W +W +W

+W Q. H E +H.. E W W

/ / / / /

W W H.. E +H.. E +H.. E

Pre-Chorus

+H.. E +H.. E +H.. E

||o--------------|--------------|----------------|

||o-(5)--------7-|-(7)--------9-|-(9)--------5---|

PM| PM

|--------------o||-||o------------------|

|-(5)--------5-o||-||o-(5)--5-5-5-5-5-4-|

PM| PM

+Q E E E E E E +Q E S S E E E E

1.,2.,3. 4.=H

>

+H.. E 4x W +W +W

|---------------||----------|------------|--------*|

|--------------o||-3--------|-(3)--------|-(3)----*|

|-(0)-----------||-0--------|-(0)--------|-(0)----*|

|-(0)--------7--||-0--------|-(0)--------|-(0)----*|

|------------5-o||----------|------------|--------*|

|-(3)-----------||-3--------|-(3)--------|-(3)----*|

Duration Legend

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura

+ - note tied to previous; . - note dotted; .. - note double dotted

Uncapitalized letters represent notes that are staccato (1/2 duration)

Irregular groupings are notated above the duration line

Duration letters will always appear directly above the note/fret number it represents the

duration for. Duration letters with no fret number below them represent rests. Multi-

bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low

melody durations appear below the staff

Tablature Legend

h - hammer-on

p - pull-off

b - bend

pb - pre-bend

r - bend release (if no number after the r, then release immediately)

/\ - slide into or out of (from/to "nowhere")

s - legato slide

S - shift slide

<n>

- natural harmonic

[n] - artificial harmonic

n(n) - tapped harmonic

~ - vibrato

tr - trill

T - tap

TP - trem. picking

PM - palm muting

/ - tremolo bar dip; n = amount to dip

- tremolo bar down

n/ - tremolo bar up

/n\ - tremolo bar inverted dip

= - hold bend; also acts as connecting device for hammers/pulls

<> - volume swell (louder/softer)

x - on rhythm slash represents muted slash

o - on rhythm slash represents single note slash

Misc Legend

| - bar

|| - double bar

||o - repeat start

o|| - repeat end

*| - double bar (ending)

: - bar (freetime)

$ - Segno

& - Coda

Tempo markers -

<e .="">

= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

</e>

</n>