TITLE : the places you have come to fear the most
ALBUM : the places you have come to fear the most
ARTIST: dashboard confessional
TAB BY: anemeros@yahoo.com
TUNING:
-------------------------
NOTES : I have learned that this is not the exact way that Chris plays this song,
however all the notes seem to be accurate, and this tab is playable along with
the actual recording. If you were to play the song this way, I doubt very many
would be able to hear that you are playing anything differently than the actual
exact way it was written. This may or may not be the most simple way to play this
song, but it works for me. I hope it helps someone out there. This tab is
seriously more than good enough to sustain the song's integrity.
+-x--x--x--x-x--x--x--x-x-x-----------+
|-0--0--0--0-0--0--0--0-0-0-0---------|
|-0--0--0--0-0--0--0--0-0-0---0---0---|
|-9--10-10\7-9--10-10-5-4-2-----2-----|
|-10-10-12\9-10-10\7--7-5-3---------3-|
+-x--x--x--x-x--x--x--0-0-0-----------+
F#[no5] = x[10]900x 'F#5
B(maj7[no3]) = x[10][10]00x 'B7-3
B(maj13[no3]) = x[12][10]00x 'B13
Ab(13[no3][no5]) = x9700x 'Ab13
F#[no5] = x[10]900x 'F#-5
Bmaj7:1 = x7[10]00x 'B7:1
Ebm = 07500x 'Ebm
Ebm(9) = 05400x 'Ebm9
Bmaj7:2 = 03200x 'B7:2
+-x--x-x--x-0-x-+
|-0--0-x--7-0-7-|
|-0--5-9--7-5-7-|
|-9--5-10-0-7-0-|
|-10-7-7--0-0-0-|
+-x--x-x--5-5-5-+
F#[no5] = x[10]900x 'F#5
Bmaj7:3 = x7550x 'B7:3
B[no5] = x7[10]9xx 'B-5
C# = 50077x 'C#
Abm = 507500 'Abm
C# = 50077x 'C#
+-3-3-3-3-3-3-3-3-3-3-3-+
|-3-3-3-3-3-3-3-3-3-3-3-|
|-0-2-0-0-0-2-0-0-0-2-0-|
|-0-0-2-2-0-0-2-2-2-0-2-|
|-2-0-2-3-2-0-2-3-2-0-3-|
+-3-2-0-0-3-2-0-0-0-2-0-+
F#(maj) = 320033 'F#
Db(sus4[w3]) = 200233 'Db4
Ebm(7) = 022033 'Ebm7
Badd9 = 032033 'B9
buried deep as you can dig in-[B7:3]-side your--self,
and covered with a perfect shell,
such a charming beautiful ex--terior
laced with brilliant smiles and shining [B7:3]eyes
and perfect posture, but you're barely scraping by,
but you're barely scraping by.
well this is one time,
this is one time
that you can't fake it hard enough to please
everyone or anyone at all, or anyone at all
and the grave that you refuse to leave
the refuge that you've built to flee
the places that you've come to fear the most,
is the place that you have come to fear the most
buried deep as you can dig in-[B7:3]-side your--self
and hidden in the public eye
such a stellar monument to loneliness
laced with brilliant smiles and shining [B7:3]eyes
and perfect posture, but you're barely scraping by
but you're barely scraping by
well this is one time,
this is one time
that you can't fake it hard enough to please
everyone or anyone at all, or anyone at all
and the grave that you refuse to leave
the refuge that you've built to flee
the places that you've come to fear the most,
is the place that you have come to fear the most