Вступление
COME AND GET IT (Bassline)
As recorded by Badfinger
(From the 1970 Album MAGIC CHRISTIAN MUSIC)
Words and Music by Paul McCartney
Transcribed by Slowhand
Gtr I (E A D G) - 'Ron Griffiths - Bass'
Intro 1st & 3rd Verses
Q=92
$
4/4
Gtr I
Q Q
|--------------|-----------------||-----------------|-----------------|
|--------------|-----------------||-----------------|-----------------|
|--------------|-6-6-6-6-6-6-6-6-||-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6-|
|---------11\--|-----------------||-----------------|-----------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6--|
|-4-4-4-4-4-4-4-4-|-6-6-6-6-6-6-6-6-|-----------------|------------------|
Bridge
|-----------------|-----------------||-----------------|------------------|
|-----------------|-----------------||-----------------|------------------|
|-----------------|-----------------||-----------------|-6-6-6-6-6-6-6-6--|
|-4-4-4-4-4-4-4-4-|-6-6-6-6-6-6-6-6-||-7-7-7-7-7-7-7-7-|------------------|
To Coda
E E E E E E E E E E E E +H +H. Q
|------------------|----------------|---------------||
|------------------|---5-6-8-(8)----|-(8)-----------||
|-7-7-7-7-7-7-7-7--|-6--------------|---------------||
|------------------|----------------|----------11\--||
2nd Verse
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6-|-----------------|-6-6-6-6-6-6-6-6--|
|-----------------|-----------------|-4-4-4-4-6-6-6-6-|------------------|
Outro
D.S. al Coda &
+H +W
|------------------||----------------|------------||------------------|
|------------------||---5-6-8-(8)----|-(8)--------||o-----------------|
|-6----------------||-6--------------|------------||o-6-6-6-6-6-6-6-6-|
|---6-6-6-6-6-6-6--||----------------|------------||------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-6-6-6-6-6-6-6-6-|-----------------|-6-6-6-6-6---4-6-|------------------|
|-----------------|-4-4-4-4-6-6-6-6-|-----------6-----|-4-4-4-4-6-6-6-6--|
1.
+H
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|---5-6-8-(8)----|
|-----------------|-6-6-6-6-6-6-6-6-|-7-7-7-7-7-7-7-7-|-6--------------|
|-7-7-7-7-7-7-7-7-|-----------------|-----------------|----------------|
2.
+W
|-------------||-----------------|-----------------|------------------|
|-(8)--------o||-----------------|-----------------|------------------|
|------------o||-6-6-6-6-6-6-6-6-|-----------------|------------------|
|-------------||-----------------|-4-4-4-4-6-6-6-6-|-7-7-7-7-7-7-7-7--|
W +W
|-----------------|----------|--------*|
|-----------------|----------|--------*|
|-----------------|-6--------|-(6)----*|
|-7-0-1-2-3-4-5-6-|----------|--------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths